Megumi Fujita's Complete 24 Chopin Etudes concert at the new innovative 'Belle Salle' Toranomon Hall, followed by a masterclass revealing her secrets. Belle Salle Toranomon

An article on the archive streaming video of my Tokyo and Osaka Recitals featuring Beethoven Sonatas Op.110 & Op.111 and Chopin Sonatas No. 2 & No. 3 was published in the Oct-Dec issue of the 'Musical Opinion' (UK) magazine! https://www.musicalopinion.com/

Megumi's archive recording from the acclaimed recitals in Japan this spring has been featured in the leading Japanese piano magazine 'Chopin'!

Archive recording tickets can be purchased here: https://members.tvuch.com/

Chopin Magazine : https://www.chopin.co.jp/month.html

Rohm music seminar 'Dai Miyata' concert colour article in leading Japanese classical music magazine October issue!

https://ongakugendai.com/2021/09/14/ongen-vol-51-no-10/

Being interviewed in FM Osaka on Sunday. A little nervous?

https://fm-osaka.com/kurakore/

Megumi will be one of the official pianist for the famous Japanese cellist Dai Miyata Rohm Music Seminar and Concert in Kyoto from August 2-7 2021!

https://micro.rohm.com/jp/rmf/topics/event/rms_concert2021

Tokyo Recital available until 27th December 2021

Osaka Recital available until 4th January 2022

2000JPY/Recital

TV Man Union Channel　　https://members.tvuch.com/

Just hearing the first four chords of the opening bar of the Beethoven Sonata No.31 Op.110 instinctively gave an impression of a performance by a ‘seeker of musical truth’, but with the online streaming it gave the stoic musical stance more closer observation. https://mostly.jp/index.html​

Enjoy the concert at your most convenient times and repeat your favourite sections as many times as you like. It will give you an attractive alternative to live concerts. Enjoy the two concerts from this spring via archive streaming. Breathing life into Beethoven and Chopin piano sonatas. https://www.ongakunotomo.co.jp/magazine/ongakunotomo/

...In the adagio movement, the delicate key strokes delved deeper and deeper and the pain became excruciatingly real. It was also evident in No.32 (Beethoven). https://ongakugendai.com/2021/05/12/ongen-vol-51-no-6/

We await with great anticipation of how Megumi Fujita will inevitably grab and keep hold of the hearts of the audience, in this upcoming Recital in Osaka on 4th April 2021. https://www.kansai-opera.co/blank-2​

I have finally found how to recreate and convey the music I have in my head, and hope you will savour with me the core of its magnificence of these master pieces.

https://ebravo.jp/

'It's a demanding programme, but I am not nervous at all!' Having completed successful Chopin 24 Etudes Recitals in 2017, Megumi Fujita who made her name with her unique performance technique embarks upon series of Recitals in Tokyo and Osaka in March/April 2021.

https://www.chopin.co.jp/month.html​

Megumi Fujita, well known for the 'Chopin Etudes for everyone' masterclasses embarks upon a recital featuring the last two Beethoven Sonatas and two Chopin Sonatas. 'When I was trying to decide the repertoire for the second half, I noticed the beginning of the Chopin Sonata No.2 resembles the beginning of Beethoven's No32 Sonata. To me, Chopin's Sonata No.2 does not feel complete. It feels to me like there's something coming, rather like the ending of the Revolutionary Etude.... https://ongakugendai.com/2021/02/19/interview-2/

A Recital delving deep into the core of Beethoven and Chopin. 'When I was a child, I felt the two sonatas were an inseparable set. This will be my first time performing both sonatas in pairs, without a break.' Megumi Fujita has chosen a demanding programme for her Recitals in March and April. She said all this came after a long and laborious road ...

http://mostly.jp/artist/archive/vol103.html